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Review: The Impossible – When the Impossible Happens

av senses.se

Just as September 11, 2001, changed the world forever, the world was also profoundly impacted on Boxing Day 2004 when the Japanese word Tsunami entered global consciousness. The event demonstrated the raw, unstoppable power of nature, leaving devastation in Thailand, mirroring the impact of Hurricane Sandy in the USA.

Approximately 500,000 Swedes visit and reside in Thailand annually, representing a significant presence. Many individuals likely know someone who was present or affected by what remains the most devastating tsunami in modern history. After eight years, we now have the first major cinematic exploration of this eventThe Impossible.

The Bennett family, seeking respite from their demanding lives, arrive in Khao Lak at a beach hotel that can be described as luxurious. Dad Henry (Ewan McGregor), mom Maria (Naomi Watts), and their three sons are enjoying their vacation when tragedy strikes. A massive wave sweeps across the landscape, obliterating everything in its path, separating the family and initiating an unimaginable ordeal of human suffering and survival, as well as a desperate search for loved ones (within a chaotic environment, initially without power or reliable communication).

Spanish director JA (Juan Antonio) Bayona makes his (in some respects) Hollywood debut with this film. Following his critically acclaimed work on The Orphanage (El Orfanato), he now presents a film based on a true account, depicting the experiences of a Spanish family (named Belon, who consulted on this adaptation). To enhance accessibility and international appeal, the family’s nationality has been changed to British, allowing for the casting of Hollywood actors who may generate broader press coverage and audience interest.

The Impossible is an immersive and intense experience, showcasing exceptional filmmaking prowess. Financed by a blend of EU and foreign (predominantly American) investment, the production is largely Spanish, featuring remarkable special effects, sophisticated stunt work, and compelling cinematography. The opening sequence effectively establishes the tone, and when the tsunami strikes, the viewer is almost unable to breathe due to the intensity. Subsequently, the heartbreaking, visceral, and graphic second act focuses on the search for survivors.

Having personally experienced a tsunami, or knowing someone who has, might make this film particularly challenging to watch. It is remarkably realistic and unflinchingly portrayed. The depiction of individuals being swept away by the wave, tossed about in the turbulent water and subjected to the dangers of debris, is disturbing. JA Bayona offers the viewer the uncomfortable sensation of vicariously experiencing the tragedy. The film also features Swedish actors, including Douglas Johansson (known for his role in the Wallander films).

Overall, the narrative remains relatively straightforward, which is not necessarily a weakness. However, there are moments where the script seems to rely on convenient resolutions or plot devices, bordering on deus ex machina (specific examples would constitute spoilers). Consequently, while based on a dramatized true story, the film emphasizes the exhaustive nature of the suffering and graphic violence, potentially overshadowing the core narrative of the human family.

The Impossible is an exceptionally well-crafted film, delivering a harrowing cinematic experience (in a positive sense). For viewers who are sensitive to or anxious about tsunamis, this film is not recommended. However, for those with strong constitutions and a sense of curiosity, the film contains unforgettable scenes, although these are not always centered on the family’s journey and their efforts to reunite.

The Impossible premiered in Sweden on March 8, 2013.

The review was first published on November 2, 2012.

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