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Review: Skyscraper

av Henric Brandt

Dwayne Johnson began his acting career with a digital effects role in 2001’s The Mummy Returns. Subsequently, he starred in his own spinoff, The Scorpion King, initially credited under his wrestling persona, The Rock. Now, more than 17 years later, Dwayne Johnson is a household name. This year marks my third review of a film featuring him, with Skyscraper following two previous entries. Johnson maintains a prolific work rate, with a substantial list of upcoming projects indicating no signs of slowing down.

 

Will Sawyer (Dwayne Johnson), a security expert, is contracted by an old friend from his past as an FBI hostage negotiator to independently assess the security systems of The Pearl, the world’s tallest building. Relocating his family to Hong Kong, Sawyer soon discovers the situation is more complex than anticipated, and that trust is a scarce commodity.

 

This film presents a highly improbable scenario, yet it succeeds in delivering a suspenseful experience. The film’s action sequences are genuinely gripping. Skyscraper elevates the tension beyond Tom Cruise’s building climb in Mission impossible – Ghost Protocol. The execution is impressive, eliciting audible reactions from the audience. While the reliance on special effects is evident, the film effectively suspends disbelief. Viewing in IMAX 3D is recommended for maximum impact.

 

Beyond its visceral appeal, Skyscraper’s narrative structure bears resemblance to Die Hard and The Towering Inferno. The plot is relatively straightforward, telegraphing key plot points and character motivations early on. The identity of the antagonist and the betrayer are predictable. However, the film acknowledges its own absurdity, exemplified by Dwayne’s character’s muttered acknowledgment of the risks involved.

 

Prior to release, observers questioned the plausibility of Dwayne’s character surviving the depicted jump in promotional materials. While leaping across a distance is one feat, ascending a construction crane nearly 30 stories in mere minutes presents another challenge. Nevertheless, Dwayne Johnson embodies the physical capabilities required for such actions, reminiscent of Arnold Schwarzenegger as a prominent action figure.

 

Dwayne Johnson’s character, Will Sawyer, is portrayed with a degree of vulnerability. A past hostage negotiation incident resulted in a significant injury and physical disability, adding a layer of humanity to the character. Dwayne Johnson’s inherent charm and acting capabilities elevate the film.

Neve Campbell portrays Will’s wife, Sarah. While Campbell delivers a competent performance, the character is relatively underdeveloped. Despite attempts to provide her with more agency, the role feels somewhat hollow. However, it’s a welcome return for the actress.

The building’s owner, Zhao Long Ji, is portrayed by Chin Han. Han delivers a standard performance; his character gains slightly more depth towards the film’s conclusion, but remains somewhat passive.

 

Roland Møller plays the film’s antagonist. The character embodies classic villain tropes but lacks the charisma of Alan Rickman’s portrayal in Die Hard. Ultimately, the primary focus remains on Dwayne Johnson and the skyscraper itself.

 

In conclusion, this film utilizes familiar genre conventions and predictable plot elements. Despite drawing inspiration from other films, director and screenwriter Rawson Marshall Thurber successfully crafts a suspenseful and engaging experience. Dwayne’s daring feats generate palpable tension that persists until the end credits.

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