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Review: Molly’s Game

av Henric Brandt

“An Olympic skier transitioning into a high-stakes poker organizer” might sound like a plot from a fictional narrative. However, in the case of Molly Bloom’s story, it’s a documented reality.

Molly Bloom (Jessica Chastain) undergoes rigorous training throughout her life under the guidance of her father, Larry (Kevin Costner), who instills in her the drive to excel. During a critical run with a chance at a gold medal, a minor accident results in a severe injury, effectively ending her skiing career. Following this setback, she relocates to Los Angeles and begins working for Dean Keith (Jeremy Strong), a flamboyant Hollywood producer. Dean hosts exclusive poker games frequented by actors, musicians, producers, directors, and other high-net-worth individuals. Molly quickly learns the intricacies of the game and eventually decides to organize her own poker events, a decision that profoundly alters the course of her life.

Aaron Sorkin has established himself as a prominent producer and, notably, a screenwriter, having created and produced the acclaimed TV series The West Wing, among other projects. This film marks his directorial debut, demonstrating a competent grasp of cinematic storytelling. The narrative unfolds effectively, building suspense and intrigue. Sorkin also serves as the screenwriter for the film.

Idris Elba and Jessica Chastain deliver compelling performances.

Jessica Chastain delivers a compelling performance in the lead role, effectively capturing the strength and vulnerability required to portray the complexities of Molly Bloom’s character. Her portrayal is both nuanced and convincing.

Idris Elba plays Charlie Jaffey, Molly’s lawyer, and, like Jessica Chastain, embodies the role with conviction. Elba consistently delivers strong performances, regardless of the project. In this film, he provides a sense of security and stability that Molly desperately needs as she navigates a challenging legal situation.

A standout scene from the film.

Kevin Costner, after a period of relative absence from major film roles, experienced a resurgence with his portrayal of Superman’s stepfather in Zack Snyder’s Man of Steel. In this film, he returns to a paternal role, delivering a particularly poignant performance in a scene set on a park bench in Central Park. This father-daughter interaction showcases Costner’s enduring talent and avoids the pitfalls of becoming overly sentimental, thanks to strong performances and direction.

Michael Cera as Player X.

Michael Cera, known for his role in the series Arrested Development, has often portrayed unassuming and insecure characters. In the darkly comedic film This is the End, he showcased a different side, playing a highly exaggerated and unpleasant version of himself. Here, he portrays Player X, a pivotal figure in the narrative. This role deviates from Cera’s previous performances, revealing a previously unseen intensity and potentially marking his most significant role to date. It is widely speculated that Player X is based on the real-life poker player Tobey Maguire.

Dramatizations based on real events face inherent challenges. Reality does not always translate seamlessly to the cinematic medium. While some liberties may have been taken to enhance the narrative, research suggests that the filmmakers have maintained a close adherence to the core events and circumstances of the true story.

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