I recently reviewed Flodskörden – The Roleplaying Game, and now I’m examining the physical edition of Flodskörden. Similar to Ur Varselklotet, the narrative unfolds from a first-person perspective, following Stålenhag’s persona during a period in 1990s Sweden. The Slingan military zone has been decommissioned, but normalcy remains elusive. A perplexing flood engulfs the region, and unsettling rumors regarding its dangers quickly proliferate.
Stålenhag’s choice to present the story in first-person is an engaging narrative technique. It imparts a diary-like quality that enhances the sense of realism. Stålenhag’s signature blend of Swedish everyday life and science fiction creates a unique juxtaposition, a compelling combination of seemingly disparate elements.
Flodskörden is a 130-page hardcover volume. The majority of the book showcases Stålenhag’s striking and often dystopian artwork. The accompanying text is concise, yet effectively establishes atmosphere and suspense. Above are two examples of standout spreads, demonstrating the intricate details embedded within the illustrations.
In conclusion, the book form of Flodskörden is a highly recommended addition to any collection. Simon Stålenhag’s unique interpretation of Swedish history remains captivating, and the book’s exceptional writing and stunning illustrations leave the reader wanting more, despite the relatively brief narrative. I eagerly anticipate future works from Stålenhag. In the interim, I’ll continue to explore the role-playing games and watch the Amazon TV series Tales from the Loop, which draws inspiration from Ur Varselklotet.
